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Now Reviewing SubmissionsBook-to-Film Adaptation Representation

Every Great Film
Begins With A Great Story.

NORTHBRIDGE MOTION LLC represents exceptional books with cinematic potential and connects authors with producers, studios, and entertainment companies seeking compelling stories for film and television.

WE ARE NOT A PUBLISHER. NO EDITING, GHOSTWRITING, PRINTING OR DISTRIBUTION — ADAPTATION REPRESENTATION ONLY.

Feature FilmsTelevision SeriesStreaming OriginalsLimited SeriesDocumentariesAnimated FeaturesFamily EntertainmentHistorical DramasFaith-Based Films
Feature FilmsTelevision SeriesStreaming OriginalsLimited SeriesDocumentariesAnimated FeaturesFamily EntertainmentHistorical DramasFaith-Based Films
REEL 01Who We Are

We read for the screen,
not for the shelf.

NORTHBRIDGE MOTION LLC specialises in identifying stories with strong adaptation potential — narratives whose structure, characters and imagery translate to a camera. Our entire practice is built around a single question: could this become a film?

Founded by readers who came up through development, coverage and acquisitions, our team assesses books the way a studio does. We look at commercial appetite, format fit, audience, budget implications and rights position — then we take qualified projects into the rooms where those decisions get made.

“We help bridge the gap between authors and the entertainment industry.”

Adaptation Categories We Pursue

  • Feature Films
  • Television Series
  • Streaming Originals
  • Animated Films
  • Family Entertainment
  • Historical Dramas
  • Faith-Based Films
  • Thrillers
  • Romance
  • Science Fiction
  • Fantasy
  • Children's Stories

A point of clarity

Northbridge Motion is not a publishing company. We do not publish, edit, ghostwrite, print, market or distribute books. Our sole focus is adaptation representation for screen.

  • PUBLISHING
  • EDITING
  • GHOSTWRITING
  • PRINTING
  • BOOK MARKETING
  • DISTRIBUTION
A camera operator shouldering a cinema camera on a smoke-filled set

In The Room

From page to principal photography

A-CAM · 01

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Manuscripts Assessed

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Producer Relationships

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Territories Covered

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Days · Median Evaluation

REEL 02What We Do

Adaptation services. Nothing else.

Every engagement moves a book closer to a screen. There are no publishing packages here, no add-ons and no upsells into services that belong to a different industry.

01

Story Evaluation

Professional assessment of cinematic potential.

A structured read against screen criteria: narrative engine, character arcs, visual language, set-piece potential and the shape of a viable second act.

02

Film Readiness Review

Determine whether the story has commercial adaptation value.

We benchmark the work against what buyers are actively acquiring — comparable titles, audience size, budget band and the realistic ceiling for the property.

03

Adaptation Strategy

Identify the strongest format for the material.

Some books are two-hour films. Others are eight-episode limited series. We recommend the route that gives the story its best commercial and creative life.

  • MOVIE
  • TV SERIES
  • STREAMING SERIES
  • DOCUMENTARY
  • ANIMATION
04

Producer Representation

Present qualified projects to production companies and entertainment professionals.

Targeted, curated outreach. Your project goes to the producers, executives and financiers whose current slate and mandate genuinely match the material.

05

Rights Consultation

Guidance regarding adaptation rights and licensing.

Clarity on what you own and what you would be licensing — option periods, reserved rights, sequels, territory and the vocabulary of an adaptation deal.

06

Industry Positioning

Prepare projects for professional presentation within the entertainment industry.

Logline, one-sheet, comparables and pitch framing — assembled to the standard an executive expects before they will spend an hour with your story.

REEL 03Book-to-Film Process

Eight frames from page to picture

A disciplined, transparent path. You will always know which frame your project is sitting in and what happens next.

  1. FRAME 01YOU · 5 MINUTES

    Book Submission

    You send the title, genre and a short synopsis. Published, unpublished or in-progress — what matters is the story, not the imprint.

  2. FRAME 02NORTHBRIDGE · 2–3 WEEKS

    Story Evaluation

    A reader assesses narrative structure, character, pacing and voice, and writes internal coverage on how the material behaves as a screen story.

  3. FRAME 03NORTHBRIDGE · INTERNAL

    Cinematic Assessment

    We test the work for visual translatability, set-piece potential, budget implications, audience size and the format that suits it best.

  4. FRAME 04TOGETHER · 1–2 WEEKS

    Representation Preparation

    Logline, positioning, comparables and a rights summary are assembled into presentation materials that meet industry expectations.

  5. FRAME 05NORTHBRIDGE · ONGOING

    Industry Presentation

    Your project is introduced to selected producers, production companies, streamers and executives whose mandate genuinely matches the material.

  6. FRAME 06MARKET-LED

    Producer Interest

    Interested parties request the manuscript, ask questions and assess fit. We manage the conversation and keep you informed at every turn.

  7. FRAME 07YOU DECIDE

    Negotiation

    Option terms, purchase price, rights scope and timelines are discussed. You retain independent counsel; nothing moves without your signature.

  8. FRAME 08THE GOAL

    Adaptation Opportunity

    An option or acquisition agreement is executed and your book enters development for the screen — the outcome the entire process is built toward.

Open For Submissions

Does your book play on a screen?

Send us the title, the genre and a few sentences. If the cinema is there, we will find it — and if it is not yet, we will tell you exactly what is missing.

Call (818) 278-4885
REEL 04Why Choose Us

Six reasons authors
choose Northbridge

A specialist practice behaves differently from a generalist one. Here is what that difference looks like in day-to-day representation.

ONE PRACTICE AREA. ONE OUTCOME. ADAPTATION.

  • 01

    Exclusive Book-to-Film Focus

    Adaptation is not one of our departments — it is the whole company. Every hour we work is spent moving books toward the screen.

  • 02

    Entertainment Industry Network

    Working relationships with producers, production companies, streamers and development executives who are actively acquiring material.

  • 03

    Professional Story Evaluation

    Coverage written by readers trained in development, judged against the criteria a studio actually applies — not a review of your prose.

  • 04

    Cinematic Market Insight

    We track what is being greenlit, what is oversupplied and where the appetite is shifting, then position your project accordingly.

  • 05

    Transparent Representation Process

    You are told where your project stands, who has seen it and what came back. No vague reassurance and no manufactured urgency.

  • 06

    Author-Centered Approach

    Your copyright stays yours. Nothing is licensed, optioned or committed without your explicit written approval.

REEL 05Featured Genres

Stories we are actively seeking

Genre is a signal, not a gate. If your book sits between two of these — or outside all of them — and the cinema of it is strong, we still want to read it.

  • Drama — cinematic reference frame01

    Drama

    Character-led, awards-facing

  • Thriller — cinematic reference frame02

    Thriller

    High-tension, series-friendly

  • Mystery — cinematic reference frame03

    Mystery

    Returnable, procedural potential

  • Romance — cinematic reference frame04

    Romance

    Streaming's most reliable engine

  • Fantasy — cinematic reference frame05

    Fantasy

    World-building, franchise scope

  • Science Fiction — cinematic reference frame06

    Science Fiction

    Concept-first, global reach

  • Historical Fiction — cinematic reference frame07

    Historical Fiction

    Prestige limited series

  • Children's — cinematic reference frame08

    Children's

    Animation and family features

  • Faith-Based — cinematic reference frame09

    Faith-Based

    Devoted, well-defined audience

  • Adventure — cinematic reference frame10

    Adventure

    Four-quadrant theatrical

  • Biography — cinematic reference frame11

    Biography

    True story, festival-facing

  • Young Adult — cinematic reference frame12

    Young Adult

    Built-in readership, series arc

REEL 06Success Path

What the journey
actually looks like

No mystery, no black box. These are the checkpoints every represented author moves through, and roughly when they happen.

Submission Received — production reference frameDAY 0001 / 06

Submission Received

Your enquiry is logged and acknowledged in writing. You receive a reference number and the name of the reader assigned to your project.

Coverage Delivered — production reference frameWEEK 02–0302 / 06

Coverage Delivered

Written evaluation covering premise, structure, character, visual potential and an honest verdict on adaptation viability.

Strategy Conversation — production reference frameWEEK 0403 / 06

Strategy Conversation

A call to talk through format recommendation, likely buyers, realistic timelines and the rights position of your work.

Materials Approved — production reference frameWEEK 05–0604 / 06

Materials Approved

Logline, one-sheet and positioning are finalised. Nothing leaves our office until you have read and signed off on every word.

Market Outreach — production reference frameONGOING05 / 06

Market Outreach

Curated introductions to matched producers and executives, with a running log of who received the project and what they said.

Option or Acquisition — production reference frameOUTCOME06 / 06

Option or Acquisition

Where interest converts, terms are negotiated with your counsel involved. Your book enters development for the screen.

REEL 07Questions

Straight answers,
no theatrics

The questions authors ask us most often, answered the way we would answer them on a call.

Still unsure whether your book is a fit? Send us the synopsis and we will tell you honestly.

  • Fiction and non-fiction across drama, thriller, mystery, romance, fantasy, science fiction, historical fiction, children's, faith-based, adventure, biography and young adult. Published, independently published and unpublished manuscripts are all welcome. What we assess is cinematic potential — whether the story can carry a screen.

  • No. Northbridge Motion LLC is not a publishing company and never acts as one. We do not publish, edit, ghostwrite, print, market or distribute books, and we do not sell publishing packages. Our only business is representing books for adaptation into film, television, streaming, documentary and animation.

  • After evaluation, if we believe a project is viable we prepare it for the market and introduce it to producers, production companies, streamers and executives whose current mandate matches the material. We manage those conversations, report back to you, and support you through any resulting negotiation.

  • You receive written acknowledgement with a reference number. A reader is assigned and produces internal coverage. You then receive our assessment and, where the material is a fit, a recommended adaptation strategy and a proposed route to market.

  • Yes. You retain full copyright in your work at all times. Representation does not transfer ownership. Any option or purchase of adaptation rights is a separate agreement between you and the acquiring party, entered into only with your written consent and, we strongly recommend, your own legal counsel.

  • No, and you should be cautious of anyone who does. Adaptation decisions rest with buyers and depend on market conditions, slate priorities, financing and timing. What we guarantee is a professional evaluation, honest counsel and genuine, targeted introductions where the material warrants them.

  • Most evaluations are returned within two to three weeks of submission, with a median of around twenty-one days. Longer or more complex manuscripts can take additional time; if that applies to your project we will tell you in advance rather than let the date slide.

  • Yes. We accept submissions written in English from authors anywhere in the world, and we regularly consider material for territories beyond the United States. Rights position and territory availability are part of the assessment.

REEL 08Contact

Let’s discuss your story

If you believe your book has the potential to become a feature film, television series, or streaming production, we would love to hear from you. Complete the form below, and a member of our team will contact you.

Our Location

NORTHBRIDGE MOTION LLC

15442 Ventura Blvd., Ste 201-2593

Sherman Oaks, California 91403

United States

OPEN IN MAPS

Email

support@northbridgemotion.com

WRITE TO US

Call Us

(818) 278-4885

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Business Hours

Monday – Friday: 8:00 AM – 5:00 PM

Saturday – Sunday: Closed

PACIFIC TIME

Enquiry FormCONFIDENTIAL

Let’s Discuss Your Story

Tell us about the book. The more specific your synopsis, the faster we can assess its potential for the screen.

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